Last month, Casa de América in Madrid hosted the exhibition Convergencias / Divergencias. Dos estéticas en diálogo , a compelling exploration of the interplay between Ye’kwana Indigenous art from the Amazon and modern geometric abstraction. Curated by Ariel Jiménez, the exhibition featured over 170 works, including more than 60 Ye’kwana artifacts—such as baskets, benches, and vessels—collected over 30 years by Venezuelan explorer Charles Brewer-Carías and acquired by the Juan

Art Paris 2025 marked a significant evolution in the fair's history, returning to the Grand Palais with a more curated and thematically cohesive approach. The 27th edition featured 170 exhibitors and 26 solo shows, offering visitors an immersive experience that emphasized depth and narrative coherence over sheer scale.  Among the standout presentations was Venezuelan artist Claudia Lavegas 's solo exhibition, titled "Nature cinétique ou cinétisme organique?" , showcased by Ga

ARCO Madrid 2025 arrived with a bang, larger, more daring, and more textured than many expected. Themes around impermanence, ecology, and memory surfaced across multiple stands, reflecting a world in flux and the artists’ responses to it. One of the most quietly powerful presences at the fair came from the anonymous art project —a Tokyo-based initiative—showcasing the works of Japanese artist Kei Takemura . Tucked into booth 9B27, this stand was a breath of contemplative air

The story behind one of our all time favorite art work...   After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris to be treated by Doctor Gachet, himself a painter and a friend of numerous artists.  During the two months separating his arrival, on May 21, 1890 and his death on July 29, the artist made about seventy paintings, over one per

Eva Jospin (1975, Paris), who graduated from the École Nationale Supérieure des BeauxArts de Paris, has been composing forest and architectural landscapes for the past fifteen years, which she develops in various media. Eva Jospin is known for her captivating and intricate large-scale art installations, sculptures, and drawings that delve into the realms of nature and architecture. Over the years, her artistic practice has evolved to encompass a wide range of mediums, from ca

The Endless Column symbolizes the concept of infinity and the infinite sacrifice of the Romanian soldiers .  The endless column📍Târgu Jiu  Originally stood eight metres tall in the garden of his friend Steichen in Voulangis,but Brancusi sawed it In two in 1927. Even thus, the column remained perpetually endless given its modular structure several variants were to follow. In varying dimensions and numbers of modules. Erecting a monumental version in târgu jiu, Brancusi realis

The misleading title of this work might suggest that it is a scene representing three different figures, but in fact it is the same person. Starting in 1944, Francis Bacon drew inspiration from religious paintings composed of several panels, such as in his Three Studies for Figures at the Base of a Crucifixion, drawing on their narrative content and connection with transcendence. In his own triptychs, he aimed to blur any narrative suggestion, and transposed the religious sty

Art Basel Paris takes place at the Grand Palais, in the heart of the French capital. The show builds bridges with France’s cultural industries to create a flagship event radiating throughout the city, embedded in its exceptional cultural ecosystem.  This year it was held from October 18 to 20, 2024, at the newly renovated Grand Palais, a historic and iconic Parisian venue. This marks the event's third edition in Paris, showcasing the integration of modern and contemporary art