<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Thegoodartdeal.com]]></title><description><![CDATA[Thegoodartdeal.com]]></description><link>https://www.thegoodartdeal.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Sun, 14 Jun 2026 11:36:49 GMT</lastBuildDate><atom:link href="https://www.thegoodartdeal.com/es/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[A Hidden Gem in Caracas: Jesús Soto's Kinetic Structureat the UCV]]></title><description><![CDATA[Tucked away in the garden of the cafetería at the Faculty of Architecture of the Universidad Central de Venezuela (UCV) in Caracas, there's a work that most people walk past without a second glance  and that's almost the point. Estructura Cinética (Kinetic Structure, 1957) by Venezuelan master Jesús Rafael Soto is a polychrome iron sculpture measuring 150 × 137 × 101 cm. Modest in size, but radical in idea. Art critic Alfredo Boulton described works like this one as "pre-penetrables" — early...]]></description><link>https://www.thegoodartdeal.com/post/a-hidden-gem-in-caracas-jes%C3%BAs-soto-s-kinetic-structureat-the-ucv</link><guid isPermaLink="false">6a2a760c418318a8f7dd5f70</guid><pubDate>Thu, 11 Jun 2026 08:51:29 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_ea8ee6ae087f4c9d933d1db5d49914a5~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Wifredo Lam: Una visión que transformó el arte del siglo XX]]></title><description><![CDATA[Wifredo Lam nació en 1902 en Sagua la Grande, Cuba, hijo de un padre inmigrante chino y una madre de ascendencia africana, española e indígena. Esa herencia múltiple marcaría profundamente su obra y su visión del mundo. Estudió bellas artes en La Habana y luego en Madrid, donde vivió durante más de una década. La Guerra Civil Española lo marcó a fuego ,  su obra La Guerra Civil (1937), un gouache monumental, es testimonio directo de ese dolor colectivo. En 1938 llegó a París, donde conoció a...]]></description><link>https://www.thegoodartdeal.com/es/post/wifredo-lam-una-visi%C3%B3n-que-transform%C3%B3-el-arte-del-siglo-xx</link><guid isPermaLink="false">6a1feaceb13ca78d0108d02f</guid><pubDate>Wed, 03 Jun 2026 08:53:17 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_9bdf694a0457465bb07f381e7cce7714~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Wifredo Lam: A Vision That Transformed 20th-Century Art]]></title><description><![CDATA[MoMA presented Wifredo Lam: When I Don't Sleep, I Dream (November 10, 2025 – April 11, 2026), the most extensive retrospective devoted to the artist in the United States. With more than 130 works,  paintings, large-scale drawings, illustrated books, prints, ceramics, and archival material,  the exhibition spanned six decades of his career and revealed how Lam embodied, like no one else, the figure of the transnational artist of the 20th century. Wifredo Lam was born in 1902 in Sagua la...]]></description><link>https://www.thegoodartdeal.com/post/wifredo-lam-a-vision-that-transformed-20th-century-art</link><guid isPermaLink="false">6a1fe769b13ca78d0108c901</guid><pubDate>Wed, 03 Jun 2026 08:48:01 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_a01bc7c2e29b40b593e0c7786c42b59e~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Alexander Calder "Rêver en équilibre" at the Fondation Louis Vuitton ]]></title><description><![CDATA[The retrospective dedicated to Alexander Calder at the Fondation Louis Vuitton is, without a doubt, one of the best we have visited. Not only because of the scale—nearly 300 works—but for the clarity with which it reveals how a truly unique artistic language is built. The exhibition spans nearly half a century of creation, from the late 1920s to his monumental sculptures of the 1960s and 70s, covering more than 3,000 square meters. In 1925, while working as an illustrator in New York, he...]]></description><link>https://www.thegoodartdeal.com/post/alexander-calder-r%C3%AAver-en-%C3%A9quilibre-at-the-fondation-louis-vuitton</link><guid isPermaLink="false">69f87b17356085c6404ed45b</guid><pubDate>Mon, 04 May 2026 11:04:20 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_80eb1f06235542f4b2ac6e2cb612cf46~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[CALDER. RÊVER EN ÉQUILIBRE Fondation Louis Vuitton]]></title><description><![CDATA[La retrospectiva dedicada a Alexander Calder en la Fondation Louis Vuitton es, sin duda, una de las mejores que hemos visitado. No solo por la cantidad ,cerca de 300 obras, sino por la claridad con la que revela cómo se construye un lenguaje artístico verdaderamente único. La exposición recorre casi medio siglo de creación, desde finales de los años 20 hasta sus esculturas monumentales de los años 60 y 70, ocupando más de 3000 m². En 1925, trabajando como ilustrador en Nueva York, descubre el...]]></description><link>https://www.thegoodartdeal.com/es/post/calder-r%C3%AAver-en-%C3%A9quilibre-fondation-louis-vuitton</link><guid isPermaLink="false">69f876b25caf4ed272b9c26e</guid><pubDate>Mon, 04 May 2026 10:52:21 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_2a6f457eac434cd3aee4136816264403~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[How to Choose the Right Gallery]]></title><description><![CDATA[Choosing a gallery is all about alignment and long-term vision. 1. Shared values come first Before anything else, there has to be trust. A gallery represents you.So its ethics, its way of working, and its relationships matter. If there is no alignment at that level, nothing else will hold. 2. Your work needs to belong , without blending in You don’t need to be surrounded by artists who make similar work.But your work should make sense within the gallery’s program. There should be: a visual...]]></description><link>https://www.thegoodartdeal.com/post/how-to-choose-the-right-gallery</link><guid isPermaLink="false">69e9fe36ab5395dde6086959</guid><pubDate>Mon, 04 May 2026 10:32:19 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_bc7a3b1fa35742d39a58a59d5f3a1844~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[ Errores comunes que cometen los artistas emergentes]]></title><description><![CDATA[El talento rara vez es el problema.Lo que frena la mayoría de las carreras es la falta de estructura, visión estratégica y comprensión del ecosistema. 1. Construir visibilidad antes que profundidad Muchos artistas buscan exposición rápida: open calls, ferias independientes, colaboraciones sin dirección clara.Pero al observar el conjunto, falta coherencia. Una práctica sólida requiere:Una línea conceptual reconocible,  Evolución real en el tiempo, Series articuladas, no piezas aisladas, ...]]></description><link>https://www.thegoodartdeal.com/es/post/errores-comunes-que-cometen-los-artistas-emergentes</link><guid isPermaLink="false">69e8de587f0ff3dfe25a5d66</guid><pubDate>Wed, 22 Apr 2026 14:47:06 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_11ee9d4f326c46c49249c0ed37e3e308~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[ ¿Qué buscan realmente los coleccionistas?]]></title><description><![CDATA[Los coleccionistas rara vez compran por una sola razón. En esencia, buscan obras que conecten con su momento vital, piezas que reflejen su gusto, sus valores, su época. Pero eso es solo una parte de la ecuación. Una buena adquisición se sitúa en la intersección de tres cosas: conexión personal, placer estético y una sensación, por muy moderada que sea, de solidez financiera. Compran porque pueden. Compran porque les gusta la obra. Y en muchas ocasiones, puede convertirse en una inversión....]]></description><link>https://www.thegoodartdeal.com/es/post/qu%C3%A9-buscan-realmente-los-coleccionistas</link><guid isPermaLink="false">69e8db2580a38a6e4e66933b</guid><pubDate>Wed, 22 Apr 2026 14:32:02 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_3819f9e9f8b949c8b2c2ad4d349d55b2~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[What Do Collectors Really Look For?]]></title><description><![CDATA[Collectors rarely buy for just one reason. At a fundamental level, they are looking for works that resonate with where they are in life, pieces that reflect their taste, their values, their moment. But that’s only part of the equation. A good acquisition sits at the intersection of three things:personal connection, aesthetic pleasure, and a sense, however measured, of financial solidity. You buy because you can.You buy because you like it.And if you understand what you’re doing, it can become...]]></description><link>https://www.thegoodartdeal.com/post/what-do-collectors-really-look-for</link><guid isPermaLink="false">69e114a8c4c584cedb04fa89</guid><pubDate>Wed, 22 Apr 2026 13:26:14 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_3819f9e9f8b949c8b2c2ad4d349d55b2~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Common Mistakes Emerging Artists Make]]></title><description><![CDATA[Talent is rarely the main issue.What holds most emerging careers back is a lack of structure, strategic vision, and understanding of the art ecosystem. 1. Prioritizing visibility over depth Many artists chase quick exposure: open calls, independent fairs, rushed collaborations.But when you look at the work as a whole, there’s no real coherence. A strong practice requires: – A recognizable conceptual line – Clear evolution over time – Structured series, not isolated pieces – Consistent...]]></description><link>https://www.thegoodartdeal.com/post/common-mistakes-emerging-artists-make</link><guid isPermaLink="false">69e10f5243fd38a1bb6c8177</guid><pubDate>Thu, 16 Apr 2026 16:43:17 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_11ee9d4f326c46c49249c0ed37e3e308~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Good Vibrations at MoMA: Jesús Rafael Soto and Bridget Riley in Dialogue]]></title><description><![CDATA[On the fourth floor of MoMA, in gallery 410 of the David Geffen Wing, Good Vibrations  brings together the work of Jesús Rafael Soto and Bridget Riley, two major figures of international art scene  who, despite never meeting, share a striking visual and conceptual dialogue. Emerging in the 1950s and 1960s, Soto and Riley each developed a distinct artistic language rooted in perception and movement. Their practices were informed by scientific theories of vision and by a deep interest in how...]]></description><link>https://www.thegoodartdeal.com/post/good-vibrations-at-moma-jes%C3%BAs-rafael-soto-and-bridget-riley-in-dialogue</link><guid isPermaLink="false">69c189ed69ed8cb882ab2a9c</guid><pubDate>Mon, 23 Mar 2026 18:52:23 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_b2235cf3ef73432ea50aec9b179470fc~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Amazonian Tradition &#38; Modern Abstractions]]></title><description><![CDATA[Last month, Casa de América in Madrid hosted the exhibition Convergencias / Divergencias. Dos estéticas en diálogo , a compelling exploration of the interplay between Ye’kwana Indigenous art from the Amazon and modern geometric abstraction. Curated by Ariel Jiménez, the exhibition featured over 170 works, including more than 60 Ye’kwana artifacts—such as baskets, benches, and vessels—collected over 30 years by Venezuelan explorer Charles Brewer-Carías and acquired by the Juan Carlos Maldonado...]]></description><link>https://www.thegoodartdeal.com/post/amazonian-tradition-modern-abstractions</link><guid isPermaLink="false">696f8ff854e2da65624746aa</guid><pubDate>Tue, 20 Jan 2026 15:40:28 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_f7aa8806bc9e4eca963a6b13945ba9f4~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Art Paris 2025]]></title><description><![CDATA[Art Paris 2025 marked a significant evolution in the fair's history, returning to the Grand Palais with a more curated and thematically cohesive approach. The 27th edition featured 170 exhibitors and 26 solo shows, offering visitors an immersive experience that emphasized depth and narrative coherence over sheer scale.  Among the standout presentations was Venezuelan artist Claudia Lavegas 's solo exhibition, titled "Nature cinétique ou cinétisme organique?" , showcased by Galerie Wagner....]]></description><link>https://www.thegoodartdeal.com/post/art-paris-2025</link><guid isPermaLink="false">696f93857ec7696eebb5f3c1</guid><pubDate>Tue, 20 Jan 2026 15:40:23 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_fb583aead6bc4313bb8aca4dbbafb9c1~mv2.webp/v1/fit/w_1000,h_853,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Arco Madrid 2025]]></title><description><![CDATA[ARCO Madrid 2025 arrived with a bang, larger, more daring, and more textured than many expected. Themes around impermanence, ecology, and memory surfaced across multiple stands, reflecting a world in flux and the artists’ responses to it. One of the most quietly powerful presences at the fair came from the anonymous art project —a Tokyo-based initiative—showcasing the works of Japanese artist Kei Takemura . Tucked into booth 9B27, this stand was a breath of contemplative air amidst the visual...]]></description><link>https://www.thegoodartdeal.com/post/arco-madrid-2025</link><guid isPermaLink="false">696f96118067b29f7ce548fd</guid><pubDate>Tue, 20 Jan 2026 15:40:18 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_b6fdc88870674ebdb24495873348f550~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[A day with Van Gogh at Musée d'Orsay / L'église d'Auvers-sur-Oise art]]></title><description><![CDATA[The story behind one of our all time favorite art work...   After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris to be treated by Doctor Gachet, himself a painter and a friend of numerous artists.  During the two months separating his arrival, on May 21, 1890 and his death on July 29, the artist made about seventy paintings, over one per day, not to...]]></description><link>https://www.thegoodartdeal.com/post/a-day-with-van-gogh-at-mus%C3%A9e-d-orsay---l-%C3%A9glise-d-auvers-sur-oise-art</link><guid isPermaLink="false">696f98d92dece73ea7b03def</guid><pubDate>Tue, 20 Jan 2026 15:40:12 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_9d449953bb8e4946985378eae5fe2bd5~mv2.webp/v1/fit/w_399,h_500,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Eva Jospin artworks at Galeria Continua, Paris]]></title><description><![CDATA[Eva Jospin (1975, Paris), who graduated from the École Nationale Supérieure des BeauxArts de Paris, has been composing forest and architectural landscapes for the past fifteen years, which she develops in various media. Eva Jospin is known for her captivating and intricate large-scale art installations, sculptures, and drawings that delve into the realms of nature and architecture. Over the years, her artistic practice has evolved to encompass a wide range of mediums, from cardboard to wood,...]]></description><link>https://www.thegoodartdeal.com/post/eva-jospin-artworks-at-galeria-continua-paris</link><guid isPermaLink="false">696f99692dece73ea7b03f3a</guid><pubDate>Tue, 20 Jan 2026 15:40:07 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_56c3e1d7a3b547a88fc014e3deb46397~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[The Endless Column, some facts]]></title><description><![CDATA[The Endless Column symbolizes the concept of infinity and the infinite sacrifice of the Romanian soldiers .  The endless columnTârgu Jiu  Originally stood eight metres tall in the garden of his friend Steichen in Voulangis,but Brancusi sawed it In two in 1927. Even thus, the column remained perpetually endless given its modular structure several variants were to follow. In varying dimensions and numbers of modules. Erecting a monumental version in târgu jiu, Brancusi realised his dream of...]]></description><link>https://www.thegoodartdeal.com/post/the-endless-column-some-facts</link><guid isPermaLink="false">696f9a7b2dece73ea7b041e1</guid><pubDate>Tue, 20 Jan 2026 15:40:01 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_ab1706664d344796a4ec3b5f895e0f73~mv2.webp/v1/fit/w_765,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Three Figures in a room by Francis Bacon]]></title><description><![CDATA[The misleading title of this work might suggest that it is a scene representing three different figures, but in fact it is the same person. Starting in 1944, Francis Bacon drew inspiration from religious paintings composed of several panels, such as in his Three Studies for Figures at the Base of a Crucifixion, drawing on their narrative content and connection with transcendence. In his own triptychs, he aimed to blur any narrative suggestion, and transposed the religious style of altar...]]></description><link>https://www.thegoodartdeal.com/post/three-figures-in-a-room-by-francis-bacon</link><guid isPermaLink="false">696fa18b2dece73ea7b05660</guid><pubDate>Tue, 20 Jan 2026 15:39:53 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_f617d68f59b84371962f308fe3e15f5a~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item><item><title><![CDATA[Art Basel Paris 2024]]></title><description><![CDATA[Art Basel Paris takes place at the Grand Palais, in the heart of the French capital. The show builds bridges with France’s cultural industries to create a flagship event radiating throughout the city, embedded in its exceptional cultural ecosystem.  This year it was held from October 18 to 20, 2024, at the newly renovated Grand Palais, a historic and iconic Parisian venue. This marks the event's third edition in Paris, showcasing the integration of modern and contemporary art within the...]]></description><link>https://www.thegoodartdeal.com/post/art-basel-paris-2024</link><guid isPermaLink="false">696f97b37ec7696eebb6014f</guid><pubDate>Tue, 20 Jan 2026 14:57:15 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/640048_b4d3c7b9c35e42c3aefc2cc2712ec9ca~mv2.webp/v1/fit/w_1000,h_936,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Isabel Yrausquin</dc:creator></item></channel></rss>