All Posts

Tucked away in the garden of the cafetería at the Faculty of Architecture of the Universidad Central de Venezuela (UCV) in Caracas, there's a work that most people walk past without a second glance and that's almost the point. Estructura Cinética (Kinetic Structure, 1957) by Venezuelan master Jesús Rafael Soto is a polychrome iron sculpture measuring 150 × 137 × 101 cm. Modest in size, but radical in idea. Art critic Alfredo Boulton described works like this one as "pre-pene

MoMA presented Wifredo Lam: When I Don't Sleep, I Dream (November 10, 2025 – April 11, 2026), the most extensive retrospective devoted to the artist in the United States. With more than 130 works, paintings, large-scale drawings, illustrated books, prints, ceramics, and archival material, the exhibition spanned six decades of his career and revealed how Lam embodied, like no one else, the figure of the transnational artist of the 20th century. Wifredo Lam was born in 1902 i

The retrospective dedicated to Alexander Calder at the Fondation Louis Vuitton is, without a doubt, one of the best we have visited. Not only because of the scale—nearly 300 works—but for the clarity with which it reveals how a truly unique artistic language is built. The exhibition spans nearly half a century of creation, from the late 1920s to his monumental sculptures of the 1960s and 70s, covering more than 3,000 square meters. In 1925, while working as an illustrator in

Choosing a gallery is all about alignment and long-term vision. 1. Shared values come first Before anything else, there has to be trust. A gallery represents you.So its ethics, its way of working, and its relationships matter. If there is no alignment at that level, nothing else will hold. 2. Your work needs to belong , without blending in You don’t need to be surrounded by artists who make similar work.But your work should make sense within the gallery’s program. There shoul

Collectors rarely buy for just one reason. At a fundamental level, they are looking for works that resonate with where they are in life, pieces that reflect their taste, their values, their moment. But that’s only part of the equation. A good acquisition sits at the intersection of three things:personal connection, aesthetic pleasure, and a sense, however measured, of financial solidity. You buy because you can.You buy because you like it.And if you understand what you’re doi

Talent is rarely the main issue.What holds most emerging careers back is a lack of structure, strategic vision, and understanding of the art ecosystem. 1. Prioritizing visibility over depth Many artists chase quick exposure: open calls, independent fairs, rushed collaborations.But when you look at the work as a whole, there’s no real coherence. A strong practice requires: – A recognizable conceptual line – Clear evolution over time – Structured series, not isolated pieces – C

On the fourth floor of MoMA, in gallery 410 of the David Geffen Wing, Good Vibrations brings together the work of Jesús Rafael Soto and Bridget Riley, two major figures of international art scene who, despite never meeting, share a striking visual and conceptual dialogue. Emerging in the 1950s and 1960s, Soto and Riley each developed a distinct artistic language rooted in perception and movement. Their practices were informed by scientific theories of vision and by a deep i

Last month, Casa de América in Madrid hosted the exhibition Convergencias / Divergencias. Dos estéticas en diálogo , a compelling exploration of the interplay between Ye’kwana Indigenous art from the Amazon and modern geometric abstraction. Curated by Ariel Jiménez, the exhibition featured over 170 works, including more than 60 Ye’kwana artifacts—such as baskets, benches, and vessels—collected over 30 years by Venezuelan explorer Charles Brewer-Carías and acquired by the Juan

Art Paris 2025 marked a significant evolution in the fair's history, returning to the Grand Palais with a more curated and thematically cohesive approach. The 27th edition featured 170 exhibitors and 26 solo shows, offering visitors an immersive experience that emphasized depth and narrative coherence over sheer scale. Among the standout presentations was Venezuelan artist Claudia Lavegas 's solo exhibition, titled "Nature cinétique ou cinétisme organique?" , showcased by Ga

ARCO Madrid 2025 arrived with a bang, larger, more daring, and more textured than many expected. Themes around impermanence, ecology, and memory surfaced across multiple stands, reflecting a world in flux and the artists’ responses to it. One of the most quietly powerful presences at the fair came from the anonymous art project —a Tokyo-based initiative—showcasing the works of Japanese artist Kei Takemura . Tucked into booth 9B27, this stand was a breath of contemplative air

The story behind one of our all time favorite art work... After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris to be treated by Doctor Gachet, himself a painter and a friend of numerous artists. During the two months separating his arrival, on May 21, 1890 and his death on July 29, the artist made about seventy paintings, over one per

Eva Jospin (1975, Paris), who graduated from the École Nationale Supérieure des BeauxArts de Paris, has been composing forest and architectural landscapes for the past fifteen years, which she develops in various media. Eva Jospin is known for her captivating and intricate large-scale art installations, sculptures, and drawings that delve into the realms of nature and architecture. Over the years, her artistic practice has evolved to encompass a wide range of mediums, from ca

The Endless Column symbolizes the concept of infinity and the infinite sacrifice of the Romanian soldiers . The endless column📍Târgu Jiu Originally stood eight metres tall in the garden of his friend Steichen in Voulangis,but Brancusi sawed it In two in 1927. Even thus, the column remained perpetually endless given its modular structure several variants were to follow. In varying dimensions and numbers of modules. Erecting a monumental version in târgu jiu, Brancusi realis

The misleading title of this work might suggest that it is a scene representing three different figures, but in fact it is the same person. Starting in 1944, Francis Bacon drew inspiration from religious paintings composed of several panels, such as in his Three Studies for Figures at the Base of a Crucifixion, drawing on their narrative content and connection with transcendence. In his own triptychs, he aimed to blur any narrative suggestion, and transposed the religious sty

Art Basel Paris takes place at the Grand Palais, in the heart of the French capital. The show builds bridges with France’s cultural industries to create a flagship event radiating throughout the city, embedded in its exceptional cultural ecosystem. This year it was held from October 18 to 20, 2024, at the newly renovated Grand Palais, a historic and iconic Parisian venue. This marks the event's third edition in Paris, showcasing the integration of modern and contemporary art